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thumbnails Victory I - Hans Rüdi Giger (Ганс Руди Гигер) Victory II - Hans Rüdi Giger (Ганс Руди Гигер) Victory III - Hans Rüdi Giger (Ганс Руди Гигер) Victory IV - Hans Rüdi Giger (Ганс Руди Гигер) Victory IX - Hans Rüdi Giger (Ганс Руди Гигер) Victory V Satan - Hans Rüdi Giger (Ганс Руди Гигер) Victory VI - Hans Rüdi Giger (Ганс Руди Гигер) Victory VII Punk - Hans Rüdi Giger (Ганс Руди Гигер) Victory VIII Homage to Max Ernst - Hans Rüdi Giger (Ганс Руди Гигер) Vlad Tepes - Hans Rüdi Giger (Ганс Руди Гигер) Walpurgis - Hans Rüdi Giger (Ганс Руди Гигер) WC-Door - Hans Rüdi Giger (Ганс Руди Гигер) WC - Hans Rüdi Giger (Ганс Руди Гигер) Wegmueller's Daydream - Hans Rüdi Giger (Ганс Руди Гигер) Witches' Dance - Hans Rüdi Giger (Ганс Руди Гигер)


For most of his career, Giger has worked predominantly in airbrush, creating strange monochromatic canvasses depicting surreal, nightmarish landscapes. His most distinctive stylistic innovation is that of a representation of human bodies and machines in a cold, interconnected relationship, described as "biomechanical". His paintings often display fetishistic sexual imagery and are considered disturbing by some. His main influences were painters Ernst Fuchs and Salvador Dal.. He met Salvador Dal., to whom he was introduced by painter Robert Venosa. He was also a personal friend of Timothy Leary. Giger is perhaps the best known sufferer of night terrors and his paintings are all to some extent inspired by his experiences with that particular sleep disorder. He was originally educated as an architect and made his first paintings as a way of art therapy.
Родился в швейцарском городе Кур (кантон Граубюнден, Швейцария) в семье аптекаря. Катализатором развития воображения и без того увлеченного всем темным и таинственным ребенка послужил принесенный как-то отцом череп (врученный ему в качестве профессионального поощрения одной из медицинских фирм).