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"Giger-Debbie_III.jpg" ... "Giger-Dune_V.jpg"
thumbnails Debbie III - Hans Rüdi Giger (Ганс Руди Гигер) Deification XI - Hans Rüdi Giger (Ганс Руди Гигер) Demon - Hans Rüdi Giger (Ганс Руди Гигер) Discours N2 (with Martin Schwarz) - Hans Rüdi Giger (Ганс Руди Гигер) Double Bust with Buckle - Hans Rüdi Giger (Ганс Руди Гигер) Drawing for Sil Metamorphosis of Sil's Back - Hans Rüdi Giger (Ганс Руди Гигер) Drawing for Sil Metamorphosis of Sil's Face - Hans Rüdi Giger (Ганс Руди Гигер) Drawing for Sil Metamorphosis of Sil's Side - Hans Rüdi Giger (Ганс Руди Гигер) Drawing for Sil Sil with a Second Head behind Her Face - Hans Rüdi Giger (Ганс Руди Гигер) Drawing for Sil Transformation Side View - Hans Rüdi Giger (Ганс Руди Гигер) Drawing for Sil Transformation v1 - Hans Rüdi Giger (Ганс Руди Гигер) Dune I - Hans Rüdi Giger (Ганс Руди Гигер) Dune II - Hans Rüdi Giger (Ганс Руди Гигер) Dune IV - Hans Rüdi Giger (Ганс Руди Гигер) Dune V - Hans Rüdi Giger (Ганс Руди Гигер)


Giger's popularity in the United States is accredited in part by working on independent films such as Dune, Alien and Species. Giger's alien creature design for the movie Alien was inspired by his earlier painting "Necronom IV" earned him an Oscar in 1980. The movie Alien (directed by Ridley Scott), while influenced by Giger's previous artwork, initially having nothing to do with extraterrestrial beings, has given Giger more room for creativity than a number of other movies he was interested in contributing to. For example, in 1994, Joel Schumacher, an American film director and producer (The Phantom of the Opera, Batman & Robin) contacted James Cowan to bring in Giger to design a new version of the Batmobile. Giger's Batmobile designs could not be realized due to "time-constraints", however it's believed that in reality Giger refused to compromise his design to Warner Brothers' request.
Картины Гигера показывают отвратительный и в то же время притягивающий мир, в котором невольно узнаешь окружающую нас реальность. У него особый взгляд на жизнь через призму биомеханизмов и своеобразной сексуальности.


Художественная роспись выбор фрески